Similarly to Judy, Nick is also quick, particularly in his introductory scenes of when he goes about Zootopia swindling other animals, metaphorically aligning him as a predator. Observing his anthropomorphism, Nick dresses similarly to humans, with a shirt and tie, and moving about on his two back legs, similarly to Judy, however, having a sort of charisma to it, adding to the specificity of his character's personality. Observing the way he moves in particular scenes, he tends to be quiet, similar to his real counterpart of a fox, trying to keep a low-key status in his surroundings. As Nick notes about himself, he is a sly fox, clearly exhibited by his anthropomorphism and kineticism. Judy through her anthropomorphic design to distinguish her as a humanistic character, combined with her various skills such as hopping high and running fast, correlate to the film’s theme of her identification as prey.Interpreting the character of Judy’s partner, Nick Wilde, there appears to be a more complex exploration of him.

'The Theme Of Predator And Prey Distinctions In Zootopia' Get custom paper When happy throughout the film, Judy’s face literally rises with her eyes opening up and her smile widening and oppositely, when gloomy or upset, her face sunken, eyes lower and ears droop, connecting yet again to the emotional, human side of her.ĭo not use plagiarized sources. By expressing emotion as well, Judy is effective in this with the film's animation lending to her facial features. With her kinetic movements, Judy is exhibited as agile and expressive. This is also represented by her quick animated movements reminding the viewer of her abilities as a prey creature in getting out of situations that often involve severe danger. These facets of Judy compliment and contradict her as an animal and human character but, collaborate effectively in making her characterization unique.Interpreting the use of anthropomorphic and kinetic designs of Judy even further, she perpetually is referred to as a prey being obviously surrounded by larger animals, typically predators, who acknowledge her as different.

This behavior presents the animal side of Judy as in reality, rabbits have an agile ability of sporadic kineticism. One of many instances of this is comedically portrayed in the scene in which Judy and her eventual partner, Nick Wilde, are at the DMV operated by sloths in which Judy frustratingly attempts to speed up the process in obtaining desirable information. This, however, is also countered as she is perceived as a physically fast character, consistently on the verge to complete her goals quickly. Noting her appearance of an anthropomorphic rabbit, her elongated ears display her emotions accurately so that the audience is better able to empathize with her thus, distinguishing her as a humanistic character. The utilization of anthropomorphic along with kinetic designs in the film Zootopia exhibits the contrast of animal and human behaviors within its characters corresponding to its theme of predator and prey distinctions.The main protagonist of the film, Judy Hopps, is the idealistic rabbit who represents the prey aspect of the world. By changing the physical design and nature of these characters, they are able to properly be displayed as a predator. Through physicality, the characters’ kinetic design plays an important facet for how they communicate as a danger to others. With the characters being standardly anthropomorphic, there must be an occurrence in their physical behavior and design to efficiently evoke them becoming feral and predatory. The film faces a challenge in effectively exhibiting this to audiences through animated visuals without having to be vocally obvious about it. In the film Zootopia, a major theme is the classification of characters in the category of predator and prey, with the feral or predatory characters being viewed as a danger to the society.

Zootopia predators vs prey